a friend asked me to play at their birthday party (on the 2nd of October) so I decided to play something slightly spooky, sprawling, loop-heavy, and blend-heavy, but I suppose that's normal for me (lmao)

I played some hits during this set partly because it was for a birthday party, but also just to show appreciation for classics, haha.

hope you enjoy! love u - sydney

tracklist:
• The Bug & Dis Fig - Come
• Restive Plaggona - Intimacy is Violence
• TNGHT - Dollaz
• Flory’s death scene from Be My Cat: A Film for Anne
• Smokepurpp - 6 Rings
• Him Hun - Ain’t No Addict
• Linn da Quebrada featuring Gloria Groove - Necomancia
• Limp Pumpo - SOY EL CRIMEN
• Enur featuring Natasja - Calabria 2008
• EQ Why - AIDS
• Marshall Applewhite - If I Gave You A Party
• Noisia - Get Deaded
• Phaze - All I Do
• ak77xica, Alza54, and Glasswayss - Migodeleuze (Rhizom Ende)
• Simo Soo - Klaus
• SebastiAn featuring Charlotte Gainsbourg - Pleasant
• Whitney Houston - It’s Not Right But It’s Okay
• Glass - Postlexia
• Slowthai - T N Biscuits
• Gay Bagel - I’m DMX
• Sydney Salt - sorry honey! that was too little too late!
• AYA - ngallo (yes i released this already)
• RXK Nephew - Dark Noise
• Mukat Edits - Funky Music Burning In My Soul

Dj set recorded at Bonnefooi (Brussels - 10/02/23) - Part Two

7 track album

via https://www.facebook.com/events/3560209327639241/?ref=newsfeed

Cycle de conférences ‘arts sonores et sound studies’, organisé par l’université Paris 8 et les Instants Chavirés, en partenariat avec La Muse en Circuit et TT-Node.
Partant du constat que le son n’est pas neutre mais existe toujours en relation avec des écoutes situées, construites ou disciplinées, Antoine Chessex développe la figure d’ « écho pensée » comme pratique sonore produisant de l’altérité. Condamnée à la répétition incomplète des paroles des autres, la figure mythologique d’Écho produit la résonance d’une autre voix qui n’est jamais tout à fait la même : un déplacement possible, une contre-résonance, une perturbation de la source d’origine du son et de sa signification peuvent alors se produire. Une écoute subversive est alors possible...

Antoine Chessex est un artiste et chercheur suisse. Ses travaux explorent différentes formes de fictions sonores brouillant les frontières entre le bruit, les politiques du son et les recherches artistiques. Dans le champ des Sound Studies, ses recherches portent sur les relations possibles entre les dimensions socioculturelles du son et de l’écoute et les pratiques artistiques transversales. Il est l’éditeur de la revue Multiple.

Conférence organisée par l’université Paris 8 et Les Instants Chavirés, en partenariat avec La Muse en Circuit et TT-Node. Programmation : Matthieu Saladin.

via https://www.youtube.com/watch?v=0b7IUoNmEVM

Lungs push forth force and conjure temporary and overlapping tones to trance out to.

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com

aaaaaaw 2008. play it all day long.

Mélodie Citronique fait un détour par le Japon. On y retrouve quelques noms familiers, mais aussi beaucoup de complets inconnus pour nous :

System: Love Song / Love Song
Tolerance: Today's Thrill / Today's Thrill
Salaried Man Club: Close My Eyes / Vanity Demos
Den Sei Kwan: -2 / P'
Tozawa + Onnyk: / Vanity Demos
Phew: Days Nights / New Decade
Phew: Doing Nothing / New Decade
Phew: The Void / Vertigo KO
Ana Da Silva & Phew: Strong Winds / Island

via http://melodie-citronique.fr/blog//index.php?post/2023/03/05/Vanity-et-Phewramboise

15 track album

> IN DARK WE TRUST:
Soundcloud > bit.ly/IDWTSoundcloud
Youtube > bit.ly/IDWTYoutube

For tracklist contact:
FRONT DE CADEAUX
- https://soundcloud.com/front-de-cadeaux
- https://www.facebook.com/Front2

composed and played by Claire Gapenne
july 2022
master : William Nurdin
artwork : Daniel Dariel
credits
released February 7, 2022

6 track album

0:00 start (intro)
3:20 core
6:37 gear
11:00 cheek
16:47 doom
22:10 blend (with commiehog)

exclusive mix is all stuff from releases on STENZE QUO label, mostly recent.

Playlist:

Weird Dust - JupSix Dub (from Weird Dust/Fyoelk tour split cassette)
La Fureur De Vouivre - Des Feux Follets Maintenant (from “L'Herbe Qui Rend Amoureux” cassette)
La Fureur De Vouivre - Une bonne coïncidence (from “L'Herbe Qui Rend Amoureux” cassette)
Tulips - Rubindub (from “Hipólito” cassette)
Ratkiller - Biotronic Lobotomy (from “Estrange Tactics” cassette)
Ratkiller - Maximim Factor (from “Estrange Tactics” cassette)
The Gremlins - Poppin Interlude
Wilted Woman - No Guarantees (from “Demon World Visit” cassette)
Fyoelk - Trak That (from Weird Dust/Fyoelk tour split cassette)
New Root Canal & Liquid Slug - Excerpt side C (from “Systole/Diastole” 2x cassette)
Tulips - Tourist (from “Hipólito” cassette)

"Alarmante", an oscillating and electrified ride, carried by a dub love and a few eardrums ticklings, conveying the dance to whoever or whatever that would feel to in the merry assembly. Doing so Tresque takes distance with its original formula to turn more abstract by accumulating layers of raw pulses all from circuits in feedback (mixer, spring reverb, filter, tube preamp).
Tresque it’s the name of an almost forgotten medieval dance turned into “an idea of Techno”. Laurent Peter aka D’Incise enters the dance floor - site of the gathering - from the side, with an eye on traditions, construction of reality and fantasy, and the tension between statism and evolution.

Coming from an extended artistic career as improvisation and experimental musician, Tresque returns to his roots that lie in dub music and the sound system culture. The pulse has been growing, slowly and deeply, shaping an idea of groove by reducing it to a simpler and shorter form. In circular movements, Tresque carves his music out of samples and amplified noises using dub techniques and influenced by musique concrète.
www.dincise.net/tresque
crédits
paru le 7 mars 2023

tresque.bandcamp.com

Made in Brussesl + Geneva 2021

Mastering by Fabien Meunier,
Artwork by ccccpu
Duplication by RoHs prod

LISTEN, ORDER THE TAPES & DOWNLOAD FOR FREE ALL THE RELEASES ON OUR WEBSITE : www.thirdtypetapes.com

Instruments:
Analogue synthesiser: NDSQ (JMT SYNTH)
Spring reverb: LRV-1 (JMT SYMTJ)
Mixer: LM-8ST (TASCAM)
Compressor: DL241 (DRAWMER)
Preamplifier / Compressor: 1960 (DRAWMER)
Parametric equaliser: 1961 (DRAWMER)
Multi track recorder: DP-24SD (TASCAM)
Headphone amplifier: MH-8 (TASCAM)
Monitor earphone: UM PRO 50 (WESTONE)
Cable: 8412 (BELDEN)
Power distributor: AV-P250 (TASCAM)

Connection:
NDSQ → LRV1 → LM-8ST → DL241 → 1961 → 1960 → DP-24SD → MH-8 → UM PRO 50

https://www.facebook.com/events/234149399059838

Brazilian experimental multi-instrumentalist Carla Boregas follows plates for Bokeh Versions and Hive Mind with a ghostly set of deep listening electronics that plays like a symphony for an imagined woodwind orchestra, one to file next to recent work by Wojciech Rusin, Debit and Bloedneus & de Snuitkever.

From 1993 Mario van Horrik & Petra Dubach are working as an artistic duo. The starting point for their work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard.

https://lateneband.bandcamp.com/album/ecorcha-taill-e

2 track album

4 track album

10 track album

3 track album

INTERNATIONAL SPANIARD GLITCHGIRL DROPS SOME RAD BREAKCORE/HARDCORE/GABBER MOVES ON THIS. AN ODE TO HER ADOPTED LIVERPOOL, LETS HAVE IT LA

INDIVIDUAL TRACKS ON THE A SIDE AND THE WHOLE FVKING TING MIXXED IN ONE WALLOP OV MUTHAFVCK BY THE G GIRL HER OWN SELF ON THE B

Around 2011 I had the ambition of recording a piano album while I had no piano at hand.
I used to carry a pocket recorder with me and each time I visited a place with a piano, I would put it inside and play a small improvised piece.
Ten years later, I listened to them again and created a few patchwork tracks using only various cuts from those samples, including occasional sounds of whatever was happening around the piano.
As far as I remember, various instruments have been used : a grand from a conservatory, several upright ones in France and Belgium, one from a cabaret in Lyon, and the one shown on the cover I learnt to play on as a child.

All music by M.A.L. Fender Stratocaster 1964, pedal Wah-Wah Cry Baby.
Recorded and mixed at home between 1972 and 1976 on a reel to reel recorder Sony TC-630.

Edition of 300. First 50 orders come with hand-made handkerchiefs to cry.

Pauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal.

The Devil at the Crossroads

Where do you think you come from? Where do you think you're going? Lasciate ogni speranza, voi ch’entrate: you, with the noodle to the four winds, who pass the threshold of this disc, you better leave all hope there, and glide in the poisonous footstep of the devil your guide.

Where do you think you come from? The mountain is no longer just the mountain; after your passage, it will no longer even be a mountain. Like the whole landscape, it will have been eaten, sauced by invisible leeches. Your nostalgia for the ground and your thirst to find the source will have only discovered a forest of vain words and foul water. Where do you think you're going? At the crossroads, the world is consumed in the previous future. Only the devil will know how to make you overcome the disgust of traditions, and only the love for the devil will give you enough vim to reach your goal: a village, perhaps, but which belongs to no one, a haven to your excessiveness .

The dark tradition to which this game of ternary trampling belongs, like the rhythm of a heart in tune with the inverted world, has no country and no assigned time. Rather a topology of Eve awakened after a thousand-year sleep, an idiosyncratic and possessed reading of our common humus, made up of stories composted in the limbo of the past, of songs captured in extremis vitae and rebus in the privatized antechambers of death.

What does she tell us about? Of our automobile and in love roamings, of the porosity of the membranes that separate beings and things, of the constant inversion of signs. The seventeen stages of this short journey, where intertwine the throbbing of objects, blown horns and rubbed horsehair, form the map of a country never to be found, ours, where only the voice of an old child and the disgusting devil's poisonous charm can guide us.
credits
released February 10, 2023

https://www.youtube.com/watch?v=iu8XjjsdL8w

Xylocaine DATA project 1A and Xylocaine DATA project 1B