Please do understand this is not your ordinary logosamphia dancefloor sound, it is a release made almost entirely with the suzuki omnichord and is made for space relaxing and ambient soundscape environment.

http://s.dsimg.com/image/R-3363937-1327440247.jpeg

http://s.dsimg.com/image/R-3363937-1327440265.jpeg

http://soundcloud.com/enfantterriblenl/logosamphia-passage-omni-i

Review on this release from 20jazzfunkgreats from UK:
Logosamphia’s Passage Omni is a wake for long-forgotten gods of the ocean celebrated at the bottom of the abyss, within barnacled wreckages, by the spectres of the drowned. Or the echoes of a mass at the church of our past, where we worship, and from which we are barred. In its solemnity, it stretches across a whole galaxy of mournful instances, in its beauty, it gives meaning to our bereavement.

Review from Chain DLK:
Logosamphia is the musical project of a Netherlander called Sadra Hemati. I already checked his music on the double album compiled by Enfant Terrible, titled "Kamp Holland". On that release, Logosamphia had a track titled "La Hars". It sounded like an electronic twisted melody cool for an Eastern circus. On this new release PASSAGE OMNI, Sadra, changes everything and composed four tracks for a total of about twenty minutes of music, using only an Omnichord instrument. The Omnichord was made in the early 80s by Suzuki and it was an electric harp. It had chords buttons on the left and a pad on the right where you were able to play the virtual strings. It had also some basic rhythms and few effects like the sustain. It had a particular sound and the way it's used on PASSAGE OMNI remember some 70s German ambient music. Melodic, intense and evocative, Logosamphia on this tape did a great work and I'll have to keep an eye on the Enfant Terrible website, because it will be relased on only 60 copies on February.

http://www.discogs.com/Logosamphia-Passage-Omni/release/3363937
http://www.enfant-terrible.nl/ET013.html