ENTREE PRIX LIBRE
INFECTICIDE (fr)
https://dahearditrecords.bandcamp.com/.../d-hr-24...
The trio first met at a friendly Scrabble evening in the countryside. Heavy in triple-word scores and assumed neologisms, the three rascals and their mischievous verbs finally got along to found the “Neo-neologisms for subversive Scrabble” association, an avant-garde innovative concept they proposed at the FFSc. They were met with rejection for “regulatory aberration” and “non-compliance to traditions.” Disappointed and disillusioned, they begun to discharge their pain in deliciously infected compositions: Infecticide was born.
Infecticide brandished the absurd at the service of the serious. An ingeniously handled second degree with influences as diverse as the military frigidity of Front 242 and Liaisons Dangereuses, or the festive exuberance of Detroit Grand Pubahs and the Beastie Boys. A sharp and efficient electro-punk wave with neo-Dadaist texts for an unclassifiable mixture that is as grating as it is jarring.
LES HOMMES-BOÎTES (be)
https://leshommesboites.bandcamp.com/
Après Où poser des yeux en 2009 et 'La paroi de ton ventre' en 2013, les Hommes-Boîtes reviennent avec 'La copie d’un autre' sortit sur le tout jeune et pétillant label bruxellois Gnignignignigni. Composé de Carl Roosens, Emmanuel Coenen et Pascal Matthey, les Hommes-Boîtes racontent et chantent de drôles histoires d'animaux, de sosies et de salles obscures sur une musique électronique joyeusement obsédante pour ne pas dire pop. "On est toujours la copie d'un autre".
OSICA (be)
https://osica.bandcamp.com/album/ambiance-jeune
Project, centered on Techno modular synth & circuit bending VJing. Their aim is to create strong, bold electronic music, accompanied by spontaneous visuals, all of it generated by machines. They are constantly searching for delightful musical and visual experiences that make the audience dance with frenzy. Impressive performances, instantly invite bodies to move and neurons to marvel.
