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			<title>Musiques Incongrues - ▶︎ THE DEATH OF COPYRIGHT | Ergo Phizmiz (PLC)</title>
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		<title>▶︎ THE DEATH OF COPYRIGHT | Ergo Phizmiz (PLC)</title>
		<link>http://archives.musiques-incongrues.net/forum/discussion/11557/?Focus=105878#Comment_105878</link>
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		<pubDate>Fri, 24 Aug 2018 12:21:10 +0200</pubDate>
		<author>mbertier</author>
		<description>
			<![CDATA[<p>&lt;3 &lt;3 &lt;3</p>
<p><a href='https://composterofmusic.bandcamp.com/album/the-death-of-copyright'>https://composterofmusic.bandcamp.com/album/the-death-of-copyright</a></p>
<blockquote><p>
THE DEATH OF COPYRIGHT by Ergo Phizmiz (PLC), released 22 August 2018</p>
<p>1. Bedsheet Smell<br />
2. The Bromb<br />
3. Its a Srin<br />
4. Sraturday Nright<br />
5. Krarma Police<br />
6. A Little Resprect<br />
7. Let's Get Ready Rhumba<br />
8. Trurn Around<br />
9. Slap My Bass Up<br />
10. I Thrink We Are Alone Now<br />
11. That Bassline<br />
12. Sruvivor<br />
13. Trick Mre<br />
14. Get UR Frerak On<br />
15. Rock Your Brody<br />
16. Droo Wop That Thing<br />
17. Hrollaback Girl<br />
18. Whrite Light Whrite Heat<br />
19. The Grift<br />
20. Lady Grodiva's Operation<br />
21. Here She Crumbs Now<br />
22. I Hreard Her Call My Name<br />
23. Srister Rray<br />
24. Music to Celebrate the Reunion of S Club 7<br />
25. A Jilted Introduction<br />
26. Break and Renter<br />
27. Their Lraw<br />
28. Frull Thottle<br />
29. Vroodoo Preople<br />
30. Spreedway<br />
31. The Hreart<br />
32. Proison<br />
33. No Grood Start the Drance<br />
34. One Loaf<br />
35. 3 Krilos<br />
36. Skrylined<br />
37. Claustrophobic String<br />
38. Srerve The Srervants<br />
39. Screntless Apprentrice<br />
40. Heart Shraped Brox<br />
41. Rrape Mre<br />
42. Frances Frarmer<br />
43. Drumb<br />
44. Very Apron<br />
45. Mrilk It<br />
46. Prennyroyal Tree<br />
47. Radio Friendly Runit Shitter<br />
48. Trourettes<br />
49. Rall Aprologies<br />
50. Hephalumps<br />
51. My Special Party<br />
52. Vordhosbn with After Dinner Mints<br />
53. Wendy House Lockets<br />
54. Laughable Hed Pedro<br />
55. Honour Roman Nip<br />
56. Michel & Michael Concentrate on the Brass<br />
57. Clay Hills Cop<br />
58. Come to Debbie<br />
59. Groove is in the Art<br />
60. Mr Vrain<br />
61. Blue Dra Bra Dree<br />
62. Gonna Make You Sweet<br />
63. Mrambo No 5<br />
64. Rhythm is a Drancer<br />
65. Encore Une Fois<br />
66. Jrolene<br />
67. Sunshine on a Rrainy Day<br />
68. Crud it be Magick<br />
69. Hroliday<br />
70. Yodeling Wrichita Lrineman</p>
<p>Here is the situation.</p>
<p>You are fucked, we are all fucked.</p>
<p>You know this already.</p>
<p>A large part of the reason you are fucked is that your life is, to greater and lesser extents, controlled by about three large, very incestuous corporations.</p>
<p>These corporations, as well as ensuring that every element of your life is watched and regulated, a co-operation that you actively encourage and participate in, also have been, for some time, impeding the actual flow of cultural progress and development.</p>
<p>Where is your fucking spirit? Surely not lodged in the sperm banks of Apple? Why do you listen to the people that tell you support large corporations because this, in turn, will support independent artists? It isn't true and never was. The artists you are supporting through the large corporations are incest victims and nothing more. Feel sorry for them, but don't buy their records - they don't need you to. Support, instead, independent artists who live the dream of the early internet and the democratisation of taste.</p>
<p>The pop song has not only existed since the birth of recording. The nature of the pop song is that it is something which is "popular", which is to say that it enters popular culture. Before the spectacular triumph of modern capitalism, the entry of an object into popular culture implied collective ownership.</p>
<p>Nowadays, with the full fledged sensory assault we have inflicted on us by the media, we should have more right than ever to assimilate and personalise these materials. Instead, we are locked into tight regulations that make us criminals for interpreting materials that we didn't even want to hear in the first place. Then didn't want to hear again. Then didn't want to hear again.</p>
<p>Consequently the intent of this release is to infringe as many major label copyrights as possible simultaneously, in the name of progress, justice, and the human right to imagine and re-imagine! </p>
<p>Songs, and songwriters, progress through hearing their work interpreted and re-interpreted. Imagine a world without both Billie Holiday and Ella Fitzgerald's versions of Cole Porter songs. This album provides all the artists involved with a wonderful opportunity to see how big the world can be.</p>
<p>Artists and Composers of the World Unite! You have nothing to lose but your tunes!
</p></blockquote>
<p><img src='https://f4.bcbits.com/img/a3763769331_5.jpg' /></p>
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